Wednesday, March 23, 2011

The Experiment

Directed by: Paul Scheuring
Based on the book by: Mario Giordano
Screenplay by: Paul Scheuring
Cinematography by: Amy Vincent
Editor: Peter S. Elliot
Cast: Adrien Brody, Cam Gigandet and Forest Whitaker
Year: 2010


 

A present-day recreation of the true-life Stanford prison experiment which often becomes so over-the-top in its melodrama, it's really hard to take anything or anyone really seriously in this film. So much of the film could have been taken as a commentary on human nature, authority of political and religious institutions, free will, etc... But despite its attempts to tackle such lofty concepts, the approach ends up being laughable and childish.

When you have two academy award winning actors, the smart choice is to allow them to play off each other's performances with subtlety (ei. Heat), not to force both performers to out-act each other in a bid to see who can chew the most scenery.

Watching this, I kept thinking how I'd find it much more fascinating and disturbing to see the actual footage of the Stanford experiment then this film. Every actor is given such obvious tell-tale characterizations, that the audience knows exactly who these people are, or who they will become within their first 5 minutes of screen time. I mean, Forrest Whitaker's character for example, I don't think anyone who sees this film will be shocked to see that when an already psychologically unstable, Norman Bates type of nut-case is given absolute authority over people's lives, (surprise, surprise) it makes him into a total monster.

So many of the supporting characters seem like just insane choices to be put through such an experiment (research into the actual vetting process for the volunteers was very rigorous and only the top mentally stable candidates were allowed to participate).

Another thing I found to be just an easy out for the director, was the focus on the incredibly sympathetic prisoners (fat dude with glasses and diabetes, old black guy, scrawny little "prison bitch" etc...) at the beginning, but when the shit hits the fan and the prisoners start running amok, that's when all these ripped dudes with crazy full-body tattoos start suddenly popping up in the frame. Where the hell did these guys come from? WTF? Keep an eye out, for them, it's just hilarious.
2.5 out of 5

The Element of Crime


Directed by: Lars von Trier
Screenplay by: Lars von Trier, Niels Vørsel
Cinematography by: Tom Elling
Editor: Tómas Gislason
Cast: Michael Elphick, Esmond Knight and Me Me Lai
Year: 1984


Some pretty weird shit. The shot of the monkey at the end- WHAT THE HELL!?!

3 out of 5

The Disappearance of Alice Creed


Directed by: J Blakeson
Screenplay by: J Blakeson
Cinematography by: Philipp Blaubach
Editor: Mark Eckersley
Cast: Gemma Arterton, Eddie Marsan and Martin Compston
Year: 2009

 

An impeccably well shot and tautly constructed character-based thriller with truly suspenseful moments and some BIG plot twists on par with some of the best Hitchcock films. My only complaint is the slightly amateurish and lackluster dialogue, but the intense delivery of all 3 main performances carry it through and really sell it. A perfect film for anybody looking for a very satisfying movie night.

4 out of 5

The Departed


Directed by: Martin Scorsese
Screenplay by: William Monahan, Alan Mak & Felix Chong
Cinematography by: Michael Ballhaus
Editor: Thelma Schoonmaker
Cast: Leonardo DiCaprio, Matt Damon and Jack Nicholson
Year: 2006

 

If you've already seen this film, re-watch it with this notion in your head: Matt Damon's character is a closeted homosexual. I never saw it the first time through, but it's actually pretty blatant.

4.5 out of 5

The Count of Monte Cristo


Directed by: Kevin Reynolds
Based on the book by: Alexandre Dumas père
Screenplay by: Jay Wolpert
Cinematography by: Andrew Dunn
Editor: Stephen Semel, Christopher Womack
Cast: James Caviezel, Guy Pearce and Richard Harris
Year: 2002

 

A sorely underrated, near-perfect revenge/adventure story. Plus, Luis Guzman steals every scene he's in.

4.5 out of 5